Modern Interior Design Trends – Open Spaces

Monday, August 16th, 2010

With origins in 15th century Japan and ancient Feng Shui practices, the “open-space” gained momentum during the Bauhaus era, which later served as the platform for modern furniture and architecture.  For the past several decades, new home construction has incorporated the open floor plans, a layout that’s been proved to be convenient, socially encouraging and perceptibly pleasing.  Yet with the obvious advantages of such layout, one clear obstacle is how to decorate a large space, subdivided into functional areas.  Key rules for open-floor plan décor include:

Focalized Areas

Eye catching pieces bring the attention to each area individually.  Living/family room (fireplace, television), dining room (dining table, chairs, buffet), kitchen (island with a great counter top and barstools).

Viola d’amore Dining Table and Lulu Dining Chairs by Cattelan Italia

Viola d’amore Dining Table and Lulu Dining Chairs by Cattelan Italia

Artificial Walls

The lack of physical separation between the living-dining-cooking spaces, necessitates to utilize dividing elements like stand alone bookshelves and screens.

Bellydance, double-sided, ceiling mounted mirrored screen by Tonelli

Bellydance, double-sided, ceiling mounted mirrored screen by Tonelli

Read More

Modern Architecture Gone Red

Wednesday, March 31st, 2010

In my recent online (webbing) escapades, I came across a “little” trend of colossal proportions.  The color red – yes, the same juicy red associated with a tomato, delicious apple, fire, lipstick and traffic light is being taken out of its conventional application (clothes, shoes, lingerie, cars, furniture, etc) and applied to architectural landmarks, modern skyscrapers and cityscape altering structures.  And while every single one of these structures would have been exceptionally magnificent regardless of its facade, the red color pushes the limits of modern-day architecture with the same audacity that, decades ago, revolutionized the fashion world, automotive industry and industrial design in general.  Encapsulated in these structures is a glimpse into the future of metropolitan topography and culture that will be forever altered through these ground-breaking pinnacles.

Red Apple waterfront residential complex in Rotterdam, Netherlands

Red Apple waterfront residential complex in Rotterdam Netherlands

Red Apple waterfront residential complex in Rotterdam Netherlands

Porta Fira Towers by Toyo Ito in Plaza Europa in Barcelona, Spain

Porta Fira Towers by Toyo Ito in Plaza Europa in Barcelona, Spain

Porta Fira Towers by Toyo Ito in Plaza Europa in Barcelona, Spain

Read More

Accolade to Modern Design – Vancouver 2010 Winter Olympics

Tuesday, March 2nd, 2010

The 2010 Winter Olympic Games in Vancouver are a spectacle of international unity, competitive sportsmanship and…modern design.  Yes, modern design, although not as prominently noticeable, is a part of key Olympic elements.  Perhaps, symbolic of a new decade, 2010 Winter Olympics introduced a lot of “firsts” – new competing countries, new Olympic sports and innovative, “never been done” contemporary designs for medal, torch and podium.

Medals – For the first time, the Olympic medals, created by Canadian industrial designer Omer Arbel are not flat, although still round in shape, this year’s medals featured a rippled surface evoking West Coast landscape of mountains, waves and drifting snow.  The imagery on the metal incorporates West Coast native designs of an orca (Olympic) and a raven (Paralympic) interpreted in a very modern way of cropped illustrations by Corrine Hunt depicting the curve of orca’s dorsal fin or contouring raven’s wing.  The silk scarf is also original, epitomizing the Olympic spirit of totality – each Olympian or Paralympian with the medal, will see how their medal tied with those awarded to other athletes.

olympic_medal_front

Torch – collaboration between Bombardier and VANOC resulted in an utterly unique Olympic torch design concisely encapsulated as futuristically organic. Inspired by the sleek, crisp and modern lines that are left behind in the snow and ice from winter sports, the sinuous shape of the torch is suggestive of change and enthusiasm while its size is embodies Canada as a generous country in geography, potential and heart.  Adding to the Canadian pride and spirit is the incorporation of the maple leaf which also functions as an air intake to ensure the Olympic Flame burns brightly as the torchbearer carries it.

2010-olympic-torch

Podium – Designed by James Lee and Leo Obstbaum, the modernist sculptural design of the Olympic podium is reminiscent of the Vancouver Island – both in structure, and topology.  While the metaphorical representation of the podium, just like climbing a mountain, is a tribute to the Olympic journey and dream.  The 23 podiums, where world’s best athletes will celebrate their glorious achievements are made of Western red cedar and Douglas fir donated by communities, businesses, individuals and First Nations from across British Columbia.

vancouver_2010_winter_olympic_podium